Summer in Almaty was rich with music festivals, concerts, and public projects, and this cultural momentum appears set to continue into fall. The grand opening of the Tselinny Center for Contemporary Culture last Friday marked the start of September with a major cultural milestone for the city.

A Historic Space Reimagined

At a recent press conference, organizers spotlighted the significance of this new cultural landmark within the evolving discourse of Central Asian contemporary art.

Director Jamilya Nurkalieva led a short tour ahead of the official opening, sharing insights into the restoration and rethinking of the historic Tselinny cinema. Reinterpreting Almaty’s first panoramic cinema, an iconic piece of Soviet-era modernist architecture, was, in her words, about creating “an architectural pearl.” She described the new space as embodying “inclusivity and acceptance, the ultimate state of tranquility, almost like a hug.”

Image: TCA

Image: Atelier Cauchemar

The transformation was a deeply local effort. Nurkalieva emphasized the importance of working with Kazakhstani architects, builders, and craftsmen to ensure authenticity throughout the reconstruction process. Among the most unexpected discoveries during renovation were original works by renowned Soviet graphic artist Yevgeniy Sidorkin, long believed lost. His preserved sgraffito now welcomes visitors at the entrance. “Conceptually, we didn’t want the space to become a monument to Sidorkin alone, this is a place for new artists,” said Nurkalieva. “In some areas, craftsmen recreated panels from his sketches. We chose neutral tones so the sgraffito wouldn’t dominate the space.”

Image: tselinny.org

In just its first three days, Tselinny welcomed more than 12,000 visitors. The public experienced debut exhibitions, the interdisciplinary performance BARSAKELMES, and the launch of an educational program. The former Soviet cinema, now reimagined by British architect Asif Khan, has been reborn as a cultural hub for Almaty and the wider region. Tselinny will gradually extend its hours and programming over the coming months, with full operations set to begin in January 2026.

Image: TCA

Asif Khan’s architectural vision reflects a concept of spatial unity rooted in the Kazakh cosmological balance of Tengri (sky) and Umai (earth), representing power and growth. Drawing inspiration from the steppe landscape, Khan has preserved the spirit of the original building while opening a new horizon for each visitor.

Launching a New Dialogue

Three exhibition projects opened in parallel with the center itself. These include installations by Gulnur Mukazhanova and Daria Temirkhan as part of BARSAKELMES; the architectural showcase From Sky to Earth: “Tselinny” by Asif Khan (curated by Markus Lahtinenmäki); and the archival project Documentation: Imagining Central Asia on the Map of Contemporary Art (curated by Asel Rashidova). These inaugural exhibitions are intended to initiate long-term dialogue between artists, institutions, and the broader public. A full program is available on Tselinny’s official website.

The Return of Tselinny

Once the largest cinema in Soviet Central Asia, Tselinny has now been transformed into a multifunctional art center. The revamped complex includes exhibition spaces, workshops, a library, a bookstore, offices, and open public areas. The renovation balances the building’s historical legacy with the requirements of a contemporary cultural institution.

Image: TCA

During the first month of operations, public access to the space will be limited as the team gradually introduces new features and services while ensuring high safety and service standards.

A team of archaeologists from the Zhanibekov University Research Center has uncovered a trove of ancient artifacts at the Bogen Reservoir in the Ordabasy district of Kazakhstan’s Turkestan region. An unusually dry season significantly lowered the water level, revealing archaeological remains hidden for centuries.

Paleolithic Tools and Bronze Age Burials

Within just one week of surveying, researchers recovered dozens of Late Paleolithic and Mesolithic stone tools, including chalcedony flakes, cores, and cutting plates. Several Bronze Age burial sites were also excavated. While skeletal remains were poorly preserved, the grave goods were remarkable: decorated ceramics, a gold-plated bronze temple ornament, rings, bracelets, earrings, and hundreds of tiny beads likely used in headdresses.

A particularly notable discovery was a burial dated to the 1st century BC-1st century AD. It contained three socketed arrowheads, a utility knife, a belt buckle, and a ceramic jug. Experts say such finds affirm the continuous human settlement of the region over millennia. After analysis, the artifacts will be transferred to a local museum.

Bronze Knives, a Saka Ring, and a Lost Medieval City

Earlier this year, The Times of Central Asia reported that archaeologists from Margulan University had unearthed two bronze knives near Lake Toraygyr. While attributed to the early Saka period, their design reflects stylistic elements of the Early Iron Age, evidence of both advanced metallurgy and cultural connectivity across Central Asia.

At another site, researchers from Al-Farabi Kazakh National University discovered a gold ring from the Scythian era, weighing nearly 8 grams and featuring a lion motif. Experts interpret the human-animal hybrid symbolism as representative of the spiritual worldview of Saka elites in the 4th-3rd centuries BC. The burial also contained the remains of a man and a woman, alongside stone, iron, and gold artifacts.

In Zhetysu, archaeologists revealed the ruins of a medieval city likely destroyed during the Mongol invasions. Excavations uncovered preserved brickwork, a defensive tower, and evidence of intense fire damage. Experts have drawn comparisons with other UNESCO-listed sites such as Talgar (Talhiz) and Koilyk.

Meanwhile, the Saryarka Archaeological Institute has identified 25 historical and cultural sites in the Shet district of central Kazakhstan. These range from the Bronze Age through the Iron Age and into the medieval period. Excavations are pending, awaiting official permits.

The “Golden Man” of East Kazakhstan and the Buddhist Crossroads

One of the country’s most celebrated discoveries in recent years remains the 2018 unearthing of the so-called “Golden Man of East Kazakhstan” by archaeologist Zeinolla Samashev. More than 3,000 gold artifacts, including earrings, necklaces, and horse harness ornaments, were recovered from a burial dating to the 7th-8th centuries BC.

Further south, in the Aiyrandy Gorge of the Merke district, archaeologists uncovered the remains of an ancient Buddhist temple, including a carved stone head of the Buddha. The find underscores the region’s historic role as a crossroads of religions and cultures along the Silk Road.

From Paleolithic tools and Saka-era treasures to lost medieval cities and Buddhist sanctuaries, Kazakhstan’s recent archaeological discoveries reveal an extraordinary continuity of settlement and cultural exchange across the steppe. Together, these finds reaffirm the country’s vast and layered historical legacy.