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Ashgabat Hosts Vibrant Days of Korean Culture, Showcasing Music, Art, and Tradition

On November 22 and 23, Ashgabat, the capital of Turkmenistan, became a hub of cultural exchange during the Days of Korean Culture, an event organized by the Embassy of the Republic of Korea. The festivities kicked off on November 22 at the Arkach Shopping and Entertainment Center, where visitors were treated to a lively introduction to Korean culture. Colorful photo zones displayed scenic Korean landscapes, while interactive stations allowed attendees to craft souvenirs such as traditional-style trinkets and mirrors. Korean snack tastings and live music enhanced the festive atmosphere, making it a family-friendly event that drew many visitors of all ages. The celebrations culminated on November 23 with a concert at the Makhtumkuli Music and Drama Theater of Turkmenistan. Korean artists, accompanied by the State Symphony Orchestra of Turkmenistan under the direction of Rasul Klychev, delivered a memorable performance. The program featured a blend of Korean lyrical compositions inspired by love and nature, alongside timeless pieces of world classical music. A standout moment of the evening was the performance by acclaimed Korean singers, tenor Kwon Hwapyeong and mezzo-soprano Kwon Miji, which earned a standing ovation from the audience. Kwon Hwapyeong, a graduate of the Vienna University of Music and Korea National University of the Arts, is celebrated internationally for his exceptional artistry. Mezzo-soprano Kwon Miji, a distinguished alumna of Gyeonggi-do University with further studies abroad, has similarly garnered acclaim for her remarkable vocal range and stage presence. The concert was a fitting finale to Ashgabat's fall cultural season, blending the traditions of Korean musical artistry with the creativity of Turkmen performers.

Cultural Heritage Central Asia Turkmenistan Life & Culture Life & Culture Turkmenistan Turkmenistan International Affairs International Affairs

London Hosts Celebration for the 300th Anniversary of Turkmen Poet Makhtumkuli Fraghi

Makhtumkuli Fraghi, a revered Turkmen poet and philosopher, whose writings have profoundly shaped Turkmenistan’s national identity and enriched global cultural heritage, was celebrated in London on November 22, 2024. Known for his deep reflections on life, justice, and humanism, Makhtumkuli’s works have become an integral part of the world’s cultural heritage, emphasizing universal values and profound human insight. The Embassy of Turkmenistan in London hosted a gala evening to mark the 300th anniversary of the poet’s birth. Organized in collaboration with the Makhtumkuli Institute of Language, Literature, and National Manuscripts of the Academy of Sciences of Turkmenistan, the event welcomed diplomats, scholars, students, and members of the Turkmen diaspora. Turkmenistan's Ambassador to the UK, Yazmurad Seriaev, along with scientists Nuraev and Changliyev, delivered speeches celebrating the poet’s profound contributions to world culture and his enduring significance for the Turkmen people. Attendees were treated to a documentary on Makhtumkuli Fraghi’s life and work as well as an exhibition of his writings translated into English. Special attention was given to the early phase of his literary journey, its influence on public thought, and its role in the evolution of literature. The London celebration was part of a series of global events commemorating Makhtumkuli’s tricentennial. These tributes not only honor his literary legacy but also serve to strengthen cultural ties between nations, reaffirming the timeless relevance of Makhtumkuli Fraghi’s work in global literature.

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Kazakhstan to Create Horse Breeding Institute

Kazakhstan’s President, Kassym-Jomart Tokayev, has directed the government to establish and fund a Horse Breeding Institute to boost the horse population and advance the breeding of traditional Kazakh breeds. Speaking at the inaugural Forum of Agricultural Workers of Kazakhstan, Tokayev highlighted the steady growth in the country’s horse population. According to the Bureau of National Statistics, as of January 1, Kazakhstan had 4 million horses—a 5.4% increase from the previous year. This number has since risen to 4.2 million. However, only 1% of the total population comprises purebred horses, with approximately 40,000 being thoroughbreds. Tokayev stressed the importance of prioritizing the breeding and development of thoroughbred horses alongside overall population growth. “I instruct the government to create the Institute of Horse Breeding. The issue of its establishment has long been raised by experts. Relevant authorities must urgently address this matter and identify funding sources for the institute,”said Tokayev. The president underscored the significance of several horse breeds in Kazakhstan’s cultural and historical heritage. The Jabe breed, for instance, has a history deeply intertwined with the lives of the Kazakh people, spanning thousands of years. Known for its resilience in harsh environments, the Jabe was historically used as a draft animal, as well as a source of meat and milk. Modern Kazakhstan is also home to other notable breeds, including the Kostanai, Kushum, and Imugaljar breeds, which were developed locally. Tokayev also praised the Adai breed, calling it a “priceless treasure of Mangystau.” He recounted his earlier directive to promote this breed globally. “Today, the Adai breed has received official recognition and represents our country proudly in races and competitions,” he noted. However, he expressed concern over the dwindling population of the Kostanai horse, with only 280 remaining. “The key task, alongside increasing the horse population, is to enhance their breeding and productive qualities,” Tokayev concluded. In November 2022, during a public meeting in Mangystau, Tokayev recognized the Adai horse as a unique asset of the region. He instructed the government to begin work on achieving scientific recognition for the Adai as an independent breed and to ensure its reproduction as a breeding animal. By January 2024, the Ministry of Agriculture and the Ministry of Justice awarded the Association of Legal Entities and Individual Entrepreneurs “Adai Breed of Horse” a certificate granting exclusive rights to use the Adai horse brand. Kazakhstan has also taken legislative steps to protect and preserve its domestic breeds. A law passed in the summer of 2024 facilitates the acquisition of foreign sport stallions by local breeding centers, supports selective breeding efforts, and reimburses related expenses. This law aims to foster the development of Kazakh sport horse breeds and promote traditional equestrian sports, including kokpar, audaryspak, zhambi atu, and tenge alu. The law also establishes strict compliance standards for horse breeding. Only purebred animals that meet the breed standard and are registered under Kazakhstan’s livestock legislation are classified as breeding animals. Experts, however, have advocated for the creation of an independent institute to oversee compliance and enhance...

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Asia Now Creating a Market for Central Asian Art in Paris

When we think about spreading knowledge of Central Asian art in Europe, we might think of exhibitions, of festivals, of panels and talks, not necessarily of an art fair. However, in the contemporary art world, it is today the market, more than art critics, which dictates the emergence of certain art scenes as a whole. For the historically underrepresented Central Asian art market, smaller fairs represent today an important alley, more than the big fairs such as Art Basel – which just had its second Paris iteration this October. Smaller “boutique fairs,” as they are called, often present curated programming which allow a wide public – not just collectors and buyers – to enjoy the art as it was an exhibition. A selling one, of course. In Paris, the most relevant fair which has historically presented Central Asian artists to the European public is called Asia Now, and it took place in Paris from October 17 to 20. Entirely dedicated to Asian art, the fair has historically tried to fill the gap for Central Asian art in the European market in the past ten years of its existence. The fair has selected more than 70 leading and emerging contemporary art galleries from all over the world, presenting more than 220 artists coming from 26 territories from all over Asia and its diaspora, stretching from Central Asia to the Asia-Pacific, including West, South, South-East, and East Asia. Their commitment to expanding knowledge of Central Asian art in Europe culminated last year in a show which was indeed focused on Central Asia, and curated by the artist group Slav and Tatars. While seminal Central Asian galleries such as the Aspan Gallery from Almaty and Pygmalion Gallery from Astana didn’t return to Asia Now this year, the fair still presented a number of Central Asian artists and practices, interspersed between the main show, and the booths. Central Asian Artists in the Radicant’s Main Show The main exhibition of Asia Now was curated by Radicants, a collective founded by art critic Nicolas Bourriaud, and it was centered on sacred ceremonies seen as a powerful tool for re-examining societal structures and reconnecting with ancestral roots. Called “Ceremony,” the main show was co-curated by Nicolas Bourriaud and Alexander Burenkov, a curator of Russian origins who has been working for a long time with Central Asian narratives, which are also featured prominently in the show. [caption id="attachment_25510" align="aligncenter" width="2560"] Image: TCA, Naima Morelli[/caption] The idea of ceremony ties to the tenth anniversary of the art fair, but at the same time the curators opted to explore the nuances of ritual as both a "celebration of ancestral wisdom" and a "critical tool for interrogating and redefining established traditions and power dynamics." As Burenkov noted, the decision to use the theme of ceremony emerged after conversations with Asia Now director Alexandra Fain. “The choice fell on ‘ceremony’ in all its variability and polysemy [was used] to explore the non-obvious meanings of ritual through the eyes of contemporary artists...

Cultural Heritage Central Asia Turkmenistan Life & Culture Turkmenistan Turkmenistan International Affairs International Affairs Local Politics

Turkmenistan Pays Tribute to the Founder of Modern Turkey in Ashgabat Ceremony

On November 10, Ashgabatex, Turkmenistan’s capital, hosted a memorial event to honor Mustafa Kemal Atatürk, the founder and first president of the Republic of Turkey. Held at the park named in his memory, the ceremony was attended by Turkish Ambassador to Ashgabat, Togan Oral; Deputy Head of the Ashgabat Municipality, Bayrammurat Gurbanov; teachers and students from the Turkmen-Turkish School; Turkish citizens residing in Turkmenistan; and members of the media. The Turkish diplomatic mission organized the event, beginning with a moment of silence and followed by the playing of the national anthems of Turkmenistan and Turkey. A wreath-laying ceremony at the Atatürk Monument provided an opportunity for diplomats and distinguished guests to pay tribute to Atatürk’s profound impact on modernizing Turkey. Mustafa Kemal Atatürk’s leadership led to the establishment of the Republic of Turkey in 1923. His sweeping reforms transformed key sectors of Turkish society, including education and the economy. November 10 marks the anniversary of his passing in 1938.

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Min-Kush — The Kyrgyz Time Capsule

Although Min-Kush is only about 100 miles from Bishkek, as the crow flies, the mountains make us travel 250 miles. We reached a scenic viewpoint along the road, and I stopped to take a picture. I exited the truck and approached a horse with dramatic snow-capped mountains peeking through the clouds. A man came and invited us to ride his horse around his farm. This is his farm, his 75 sheep, and his horse. The horse and I galloped around the farm, chatted with the farmer, and got back on the road. This was my first time on horseback after a year and a half in Central Asia. Min-Kush, once a prosperous town nestled in the Kyrgyz mountains known for its bustling uranium mining industry, has hit the end of the road literally and figuratively. Coming down the A367 highway, a nondescript road sign says “Min-Kush” with an arrow pointing left. We turned, and the road seamlessly transformed from pavement to dirt. It is the last and only settlement on this road off of the highway. The only other vehicles we pass are semi-trucks carrying tons of coal destined for Kyrgyzstan and China. [caption id="attachment_25324" align="aligncenter" width="1200"] @TCA H.Kuvin[/caption] The city peaked at around 20,000 in the 1980s, but today’s number hovers around 3,500. Established in 1955, the apartments and houses are built in the Stalinist architectural style. The vibrant blue paint that once covered the wooden panels is faded, and sections of the buildings are caved in, but people still live here. The contrast in one building is stark. On the top floor, there are broken windows and unhinged shutters. On the bottom floor, there are new window frames and flowers on the windowsill. The blossoming life on the windowsill is far from what it once was. We stopped and chatted with some locals and asked about their lives. “When Moscow supported us, we had everything: stores, schools, factories, and a hospital. Now…nothing, but we cannot dwell on things. Life is better now than it was after the fall of the USSR.” The man asks for a cigarette and a light; my French friend complies with his request. The main draw of Min-Kush for me is an abandoned felt pen factory. I’ve seen pictures online of some incredible Soviet banners that serve as a time capsule in the mountains. We asked if anyone knew where to find it, and a man told us it was torn down and replaced by a soccer field. As night set in, we looked for a guesthouse of sorts. I had read online that there is one, but there are no signs or information about it anywhere. We stop by a man fixing his Soviet Chaika car on the side of the road. He tells us the hotel is right up the road. We drive to an unlit building where two men are fixing another truck. We chatted, and he made a phone call. Ten minutes later, a lady shows up, unlocks the...