Uzbekistan Life & Culture - The Times Of Central Asia

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New Project in Tashkent Offers Free Housing to Residents of Wooden Homes

Residents of wooden houses in Yangikhayot will be relocated to new apartments, and an arboretum will be created in their place. Residents of wooden two-story houses in Tashkent's Yangikhayot district will be relocated to the Yangi Mahalla residential complex in two to three years, with families receiving free accommodation in the new complex. The project, the cost of which is estimated at 1.5 trillion-som ($117 million), will affect 409 wooden houses in the Yuldosh (Sputnik) massif, where more than 21,000 people reside. The resettlement will affect 4,341 families, who will be relocated to modern apartment buildings in Gulshanobod mahalla. The project includes the resettlement of residents and landscaping, Yangikhayot District Hokim (head of the local executive authority), Hayot Inogamov and Tashkent Invest Chairman, Bakhrom Shokirov told a November 28 news conference. An arboretum surrounded by perennial trees will replace the old wooden houses. Tashkent Invest developed the resettlement program with the support of the hokimiyat and district administration. The company itself will not participate in the construction of the new houses, but will act as an intermediary between the state and construction organizations, overseeing the fulfillment of the social obligations of investors, and ensuring resettlement of the families. This project will not only improve the living conditions of thousands of residents, but will be an important step towards improving the environmental situation in the neighborhood by creating a new park on the site of the outdated development.

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Uzbekistan Engages Elders in Poverty Alleviation Efforts

In a unique initiative, Uzbekistan is involving community elders as mentors to support poor families. This program, outlined in a decree by President Shavkat Mirziyoyev, seeks to reduce poverty and enhance living conditions for disadvantaged populations. Empowering Through Mentorship Under the “From Poverty to Prosperity” program, elders will mentor families in agricultural practices, promoting self-sufficiency through farming. The initiative also assists families in renting mobile stores and obtaining equipment to start small businesses. In addition to economic support, the program encourages healthy living. Mentors will educate families about balanced diets, physical activity, and disease prevention. Elders will also engage citizens in community service and address child-rearing issues within impoverished households. This approach combines the efforts of the state, society, and active citizens, creating a unique model of community-driven poverty alleviation in Uzbekistan. Comprehensive Anti-Poverty Measures The “From Poverty to Prosperity” program aims to lift 500,000 people out of poverty by the end of 2024 and an additional 1 million in 2025. In September 2024, Mirziyoyev approved initiatives focused on entrepreneurship, vocational training, and infrastructure development in low-income areas. In 2025, $1.6 billion will be allocated to infrastructure projects, including installing water pumps and solar panels in 300 underdeveloped neighborhoods. These measures aim to unlock the potential of citizens while encouraging personal responsibility for wellbeing.

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Former Uzbek Diplomat, Jailed In Case Criticized by UN, Dies at 73

Kadyr Yusupov, a former Uzbek diplomat with a distinguished career who was convicted of treason and jailed in a case that the United Nations said had violated his rights, has died at the age of 73, an international human rights group said on Thursday. Yusupov, who died on Nov. 14, was released from jail on June 10 after being imprisoned for five and a half years and suffering alleged torture and “deplorable” conditions during some of that time, according to the Norwegian Helsinki Committee. While Uzbek officials denied the torture allegations, the U.N. Working Group on Arbitrary Detention concluded in a 2021 report that Yusupov had been arbitrarily detained, he should be released immediately and that the government should take action against those responsible for violating his rights. The group said that the violations included the denial of “medication and treatment for the very serious health conditions from which he suffers.” Rights groups have said that Yusupov was suffering from a mental illness. “In December 2018 he was arrested on charges of treason which appear to have been based on a statement he made during a psychotic episode, when he was undergoing medical treatment,” the Norwegian Helsinki Committee said. “Whilst in hospital, suffering from brain trauma and clearly confused, Yusupov reportedly said that he had been a spy for the West.” It said there were “credible allegations” that state security officers coerced Yusupov into a confession. The former diplomat said he was treated better after being transferred from a prison in the city of Navoi to a jail in the Tashkent region. Yusupov had worked in a series of high-profile jobs for Uzbekistan’s Ministry of Foreign Affairs. The posts included head of the ministry’s Asia and Africa department, head of the European department and, from 2006 to 2009, chargé d’affaires in Austria and permanent representative to the Organization for Security and Cooperation in Europe and United Nations organizations in Vienna.

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A Synthesis of Sounds: How the Silk Road Became the Melting Pot of Music in the Soviet Empire

As a DJ, radio podcaster and music enthusiast, I love discovering hidden retro gems like Nuggets-style compilations. There is an unspoken agreement on an era’s sounds depending on the artist’s breaking into the mainstream at the time. Then there are the obscure cuts and one hit wonders that for some reason didn’t make it big upon release, but dated well or were ahead of their time and found an audience at a later date. On other occasions, it’s about geography; if it had been premiered in a different part of the world, it would have been successful or far more celebrated than it was. In my search for such sounds, I feel it shouldn’t be limited by location; good music has no boundaries. [caption id="attachment_25764" align="aligncenter" width="950"] Yalla band, commemorative stamp, Uzbekistan, 2021 [/caption] There are many compilations touching upon niche genres and moments in time which can transport one to sonically experience a particular era. As a Westerner trying to peek behind the Iron Curtain to gauge the music and arts scene of the 1970’s and 80’s, what flickered across the Cold War barriers seemed controlled, state-approved, and mostly a mystery. It was a delight to learn that under this supposed monochromic blanket, a dynamic underground music scene was flourishing in regions that had a long history of cultural fusion. SYNTHESIZING THE SILK ROADS: Uzbek Disco, Tajik Folktronica, Uyghur Rock & Crimean Tatar Jazz from 1980s Soviet Central Asia features musicians from countries such as Uzbekistan, Tajikistan, and Kazakhstan, who were creating a unique sound that stood apart from anything else being produced in the USSR. TCA spoke to Ostinato record label boss Vik Sohonie about the release. TCA: How does this statement by Peter Frankopan quoted in your liner notes - “The bridge between east and west is the very crossroads of civilization” - relate to or define the music you chose? The music itself is the greatest evidence we have to this argument, because you can hear the cultures of Europe, South Asia, East Asia, West Asia - the Middle East - all mixed into it. Indeed, Central Asia was influenced by all of these regions musically given its unique geography, but it has also influenced the cultures of so many of those parts of the world. During the era of the Silk Roads and the "golden age" of the region, its musical theory, as stated in the liner notes, influenced the music of Europe. [caption id="attachment_25766" align="aligncenter" width="2172"] Natalia Nurumkhamedova album cover[/caption] TCA: How did World War II and Stalin create the circumstances behind the Tashkent and Uzbekistan scene? When the Nazis invaded the Soviet Union, Stalin put the best and brightest minds on trains bound for Soviet Central Asia, mainly Uzbekistan and its capital, Tashkent. There were recording engineers on board who went on to set up one of the biggest press plants in the Soviet Union that produced millions of records. A little-known story of World War II - the evacuation from the Eastern...

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First Train Tour Launched Between Kazakhstan and Uzbekistan

Kazakhstan is launching a new international train tour called “Silk Road,” connecting the cities of Almaty, Turkestan, and Tashkent. The first train on this route will depart on November 16. According to the Ministry of Tourism and Sports of Kazakhstan, the four-day tour will allow travelers to plunge into the atmosphere of ancient cities along the historic Silk Road. The itinerary covers the most important sights of Turkestan and Tashkent and includes guide services, meals, transfers, and entrance fees. Vice-Minister of Tourism and Sports Yerzhan Erkinbayev mentioned that the route will strengthen cultural ties between Kazakhstan and Uzbekistan and make travel more comfortable and affordable. The tour program includes visits to historical places such as the ancient city of Otyrar, the mausoleum of Arystan Baba, the historical and cultural complex Azret Sultan, and the most significant tourist complex in Central Asia, Caravan-Saray. In Tashkent, tourists can familiarize themselves with historical sights and modern architecture. Earlier, the media reported on the launch of a tourist route between China and Kazakhstan. The train from China, which began running in July 2024, passes through the Khorgos-Altynkol border crossing, adding a new opportunity for travel in Central Asia.

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Asia Now Creating a Market for Central Asian Art in Paris

When we think about spreading knowledge of Central Asian art in Europe, we might think of exhibitions, of festivals, of panels and talks, not necessarily of an art fair. However, in the contemporary art world, it is today the market, more than art critics, which dictates the emergence of certain art scenes as a whole. For the historically underrepresented Central Asian art market, smaller fairs represent today an important alley, more than the big fairs such as Art Basel – which just had its second Paris iteration this October. Smaller “boutique fairs,” as they are called, often present curated programming which allow a wide public – not just collectors and buyers – to enjoy the art as it was an exhibition. A selling one, of course. In Paris, the most relevant fair which has historically presented Central Asian artists to the European public is called Asia Now, and it took place in Paris from October 17 to 20. Entirely dedicated to Asian art, the fair has historically tried to fill the gap for Central Asian art in the European market in the past ten years of its existence. The fair has selected more than 70 leading and emerging contemporary art galleries from all over the world, presenting more than 220 artists coming from 26 territories from all over Asia and its diaspora, stretching from Central Asia to the Asia-Pacific, including West, South, South-East, and East Asia. Their commitment to expanding knowledge of Central Asian art in Europe culminated last year in a show which was indeed focused on Central Asia, and curated by the artist group Slav and Tatars. While seminal Central Asian galleries such as the Aspan Gallery from Almaty and Pygmalion Gallery from Astana didn’t return to Asia Now this year, the fair still presented a number of Central Asian artists and practices, interspersed between the main show, and the booths. Central Asian Artists in the Radicant’s Main Show The main exhibition of Asia Now was curated by Radicants, a collective founded by art critic Nicolas Bourriaud, and it was centered on sacred ceremonies seen as a powerful tool for re-examining societal structures and reconnecting with ancestral roots. Called “Ceremony,” the main show was co-curated by Nicolas Bourriaud and Alexander Burenkov, a curator of Russian origins who has been working for a long time with Central Asian narratives, which are also featured prominently in the show. [caption id="attachment_25510" align="aligncenter" width="2560"] Image: TCA, Naima Morelli[/caption] The idea of ceremony ties to the tenth anniversary of the art fair, but at the same time the curators opted to explore the nuances of ritual as both a "celebration of ancestral wisdom" and a "critical tool for interrogating and redefining established traditions and power dynamics." As Burenkov noted, the decision to use the theme of ceremony emerged after conversations with Asia Now director Alexandra Fain. “The choice fell on ‘ceremony’ in all its variability and polysemy [was used] to explore the non-obvious meanings of ritual through the eyes of contemporary artists...