• KGS/USD = 0.01144 0%
  • KZT/USD = 0.00193 -0%
  • TJS/USD = 0.10811 -0.28%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28490 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00193 -0%
  • TJS/USD = 0.10811 -0.28%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28490 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00193 -0%
  • TJS/USD = 0.10811 -0.28%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28490 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00193 -0%
  • TJS/USD = 0.10811 -0.28%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28490 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00193 -0%
  • TJS/USD = 0.10811 -0.28%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28490 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00193 -0%
  • TJS/USD = 0.10811 -0.28%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28490 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00193 -0%
  • TJS/USD = 0.10811 -0.28%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28490 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00193 -0%
  • TJS/USD = 0.10811 -0.28%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28490 0%
10 December 2025

Opinion: The Contact Group on Afghanistan – Central Asia Formulates a Regional Position

On August 26, special representatives on Afghanistan from Kazakhstan, Kyrgyzstan, Tajikistan, and Uzbekistan met for the first time in Tashkent. The meeting resulted in the creation of a permanent regional platform: the Contact Group on Afghanistan.

This gathering was not only a continuation of commitments outlined in the joint statement from the most recent Consultative Summit of Central Asian heads of state, but also a step toward preparing for the next high-level format, scheduled for November in Tashkent.

Formally, Turkmenistan was absent. Available information suggests the reasons were purely technical. Ashgabat was ready to join and expressed support for the results through its foreign ministry channels.

The key outcome is that Central Asian states have, for the first time, shown their readiness to speak with one voice on an issue long shaped by competing external interests. This is not the start of forming a common position; that had already developed de facto in recent years. All Central Asian countries have supported trade and transit with Afghanistan, continued supplying electricity and food, and maintained working contacts with the Taliban, while avoiding extremes. The Tashkent meeting institutionalized this approach: parallel tracks have now shifted, cautiously, toward coordination. Informal unity has been formalized into a tool.

Unlike external players, who often cloak interests in grand rhetoric, Central Asia acts openly and pragmatically. The logic is simple: whatever is done for Afghanistan is, in fact, done for oneself. That is the distinctive feature of the regional approach – no ideological cover, no attempts to reshape Afghanistan.

Examples are straightforward. Electricity continues to flow even when payments are delayed – not as charity, but as an investment in security. A blackout in Afghanistan could trigger refugee flows and threats heading north. Exports of flour and fuel sustain Afghan markets but also expand outlets for Central Asian producers. Participation in trans-Afghan corridors is not a gift to Kabul but an opportunity for Central Asia to anchor itself in southern logistics routes.

Ultimately, every step “for Afghanistan” is primarily for the region itself. If Kabul ignores basic rules, cooperation will simply stop. In politics, there are no eternal friends, only eternal interests.

The new format does not yet imply collective pressure on the Taliban. Rather, it creates conditions for each country to conduct more substantive bilateral dialogue, but grounded in a shared position. Until now, Central Asia has mainly spoken to the Taliban about trade, transit, and infrastructure. The Contact Group now makes it possible to add another dimension: clarifying boundaries of what is acceptable on issues like extremism, border escalation, or water pressure. For now, “red lines” are unlikely, since the Taliban have not crossed them. The situation remains manageable, leaving room for constructive dialogue.

Equally important, the Contact Group is not a threat or ultimatum. Coordination is meant to expand opportunities for dialogue, not limit them. In the long run, this could evolve into a sustainable C5+A format. Afghanistan would then be integrated into regional frameworks not as a problem to be managed, but as a partner engaged in discussions on water, security, logistics, and the environment.

The issue for Central Asia is not who governs Kabul, but whether Afghanistan can function as a competent economic and political actor. What matters is adherence to accepted economic standards and integration into regional formats. For this reason, the C5+1 could become the backbone of future cooperation, regardless of regime.

The recent SCO summit in Tianjin illustrates this pragmatic approach. Its final declaration stated that Afghanistan should become an independent, neutral, and peaceful state, free of terrorism, war, and drugs, and that “the formation of an inclusive government with broad participation of representatives of all ethno-political groups of Afghan society is the only way to achieve lasting peace and stability in this country.” Central Asia, through the Contact Group, is advancing the same principle: cooperation is possible, but some issues are non-negotiable.

This regional subjectivity is also evident within multilateral organizations, particularly the SCO. The 2024 Astana Declaration enshrined Central Asia as the “core of the organization.” President Tokayev’s proposals – specialized SCO centers to tackle security threats, new infrastructure and humanitarian initiatives, and engagement with UN resources – demonstrate that the region is moving beyond declarations to building institutional mechanisms that could also involve Afghanistan.

Attempts to create broad international formats on Afghanistan have consistently stalled under the weight of competing interests. The Tashkent format is different: it is an intra-regional conversation, without outside players. Of course, disagreements remain within Central Asia itself. But the fact that states have created a permanent platform on an issue vital to them is already progress. It strengthens their international standing and tests their ability to overcome differences for a shared purpose.

Cautious optimism is warranted, though it is too early to judge effectiveness. Yet the need for such a platform has long been obvious. It allows the region to set its own agenda instead of waiting for outside decisions.

The new format is not altruism, but calculation: by helping Afghanistan, Central Asia strengthens its own stability. If the Contact Group enhances their ability to negotiate and act together, it will prove an important investment in the region’s future.

 

The views expressed in this article are those of the author and do not necessarily reflect the official policy or position of the publication, its affiliates, or any other organizations mentioned.

Syrian Forces Intensify Arrests of Uzbek and Foreign Militants in Idlib

Syrian forces under the administration of Ahmed al-Sharaa have escalated their long-running security campaign against foreign fighters in northwestern Syria, targeting individuals affiliated with the Islamic State (ISIS) and other jihadist factions. According to Syrian sources cited by the El Manshar news outlet, the crackdown has gained momentum in recent months, with a focus on detaining commanders and field operatives of various nationalities, particularly in the Idlib region.

Among those detained are several Uzbek nationals. In June 2025, security forces in Idlib arrested Ayoub “Abu Dujana” al-Uzbeki, a military trainer, and transferred him to an undisclosed location. In late August, another Uzbek figure, known as Islam al-Uzbeki, was detained during a raid in the Qasour neighborhood of Idlib. On September 3, Syria’s Internal Security Directorate announced the dismantling of an ISIS cell in the Harem area of western Idlib, with all members taken into custody, including fighters from Iraq and Uzbekistan.

This is not the first time Uzbek militants have been the focus of security operations. Reports from late 2022 documented more than 20 raids on ISIS-affiliated cells across Idlib province, resulting in the arrests of several Uzbek fighters. Since 2020, forces loyal to Sharaa have also targeted the al-Qaeda-linked “Tawhid and Jihad” battalion, detaining senior figures such as its founder, Abu Saleh al-Uzbeki. Those arrests sparked violent clashes with rival jihadist groups.

Analysts suggest the campaign aims to consolidate Sharaa’s authority by bolstering security services, pre-empting the rise of autonomous armed factions, and eliminating groups that resist integration into his command structure. It also appears intended to signal compliance with previous understandings with the United States concerning the handling of foreign fighters in Syria.

Despite these efforts, El Manshar notes that extremist groups continue to maintain a limited but persistent presence in eastern Idlib and along the Turkish border. The campaign, therefore, represents a protracted struggle for dominance rather than a definitive resolution of the foreign fighter issue.

Contemporary Art Center Tselinny Opens in Almaty

Summer in Almaty was rich with music festivals, concerts, and public projects, and this cultural momentum appears set to continue into fall. The grand opening of the Tselinny Center for Contemporary Culture last Friday marked the start of September with a major cultural milestone for the city.

A Historic Space Reimagined

At a recent press conference, organizers spotlighted the significance of this new cultural landmark within the evolving discourse of Central Asian contemporary art.

Director Jamilya Nurkalieva led a short tour ahead of the official opening, sharing insights into the restoration and rethinking of the historic Tselinny cinema. Reinterpreting Almaty’s first panoramic cinema, an iconic piece of Soviet-era modernist architecture, was, in her words, about creating “an architectural pearl.” She described the new space as embodying “inclusivity and acceptance, the ultimate state of tranquility, almost like a hug.”

Image: TCA

Image: Atelier Cauchemar

The transformation was a deeply local effort. Nurkalieva emphasized the importance of working with Kazakhstani architects, builders, and craftsmen to ensure authenticity throughout the reconstruction process. Among the most unexpected discoveries during renovation were original works by renowned Soviet graphic artist Yevgeniy Sidorkin, long believed lost. His preserved sgraffito now welcomes visitors at the entrance. “Conceptually, we didn’t want the space to become a monument to Sidorkin alone, this is a place for new artists,” said Nurkalieva. “In some areas, craftsmen recreated panels from his sketches. We chose neutral tones so the sgraffito wouldn’t dominate the space.”

Image: tselinny.org

In just its first three days, Tselinny welcomed more than 12,000 visitors. The public experienced debut exhibitions, the interdisciplinary performance BARSAKELMES, and the launch of an educational program. The former Soviet cinema, now reimagined by British architect Asif Khan, has been reborn as a cultural hub for Almaty and the wider region. Tselinny will gradually extend its hours and programming over the coming months, with full operations set to begin in January 2026.

Image: TCA

Asif Khan’s architectural vision reflects a concept of spatial unity rooted in the Kazakh cosmological balance of Tengri (sky) and Umai (earth), representing power and growth. Drawing inspiration from the steppe landscape, Khan has preserved the spirit of the original building while opening a new horizon for each visitor.

Launching a New Dialogue

Three exhibition projects opened in parallel with the center itself. These include installations by Gulnur Mukazhanova and Daria Temirkhan as part of BARSAKELMES; the architectural showcase From Sky to Earth: “Tselinny” by Asif Khan (curated by Markus Lahtinenmäki); and the archival project Documentation: Imagining Central Asia on the Map of Contemporary Art (curated by Asel Rashidova). These inaugural exhibitions are intended to initiate long-term dialogue between artists, institutions, and the broader public. A full program is available on Tselinny’s official website.

The Return of Tselinny

Once the largest cinema in Soviet Central Asia, Tselinny has now been transformed into a multifunctional art center. The revamped complex includes exhibition spaces, workshops, a library, a bookstore, offices, and open public areas. The renovation balances the building’s historical legacy with the requirements of a contemporary cultural institution.

Image: TCA

During the first month of operations, public access to the space will be limited as the team gradually introduces new features and services while ensuring high safety and service standards.

Kazakhstan to Launch Internationally Accredited Rare Earth Laboratory

Kazakhstan is set to host an internationally accredited laboratory for rare earth metals, a move expected to bolster the country’s role in global supply chains for critical raw materials.

Minister of Industry and Construction Yersayin Nagaspayev announced that agreements have been reached with two leading global laboratory brands, RCI Inspection and PARAGON, to open a geo-analytical facility in Astana under their certification. The site will include core storage and archival repositories. Preparatory work on design and feasibility studies is already underway.

The initiative follows President Kassym-Jomart Tokayev’s September 8 address to Parliament, in which he emphasized the strategic importance of rare earth elements (REEs) for Kazakhstan’s long-term economic development. The laboratory will be established under the National Geological Service and is scheduled to open by mid-2026.

Tokayev also directed the government to launch at least three high-tech production facilities using rare earth metals within the next three years, citing their growing importance in global trade and technology.

“Given global trends, rare earth metals and other critical materials are acquiring particular significance. Kazakhstan has all the capabilities to firmly integrate into global production and trade chains,” Tokayev said.

Rare earth metals, a group of 17 elements including scandium, yttrium, and the lanthanides, are essential for manufacturing electronics, batteries, renewable energy equipment, and defense technologies. Despite holding substantial reserves, Kazakhstan has traditionally exported REEs in raw form, a practice that has sparked concern among lawmakers.

Nagaspayev outlined four strategic priorities for domestic processing:

  • Battery materials production
  • Recycling, including permanent magnets
  • Heat-resistant alloys for turbine engines
  • Semiconductor materials manufacturing

Kazakhstan is building partnerships with the EU, U.S., Japan, South Korea, and China to advance these sectors. Planned projects include:

  • A 15-ton-per-year gallium plant
  • Production of high-purity manganese sulfate and graphite for battery use
  • Nickel-based superalloys for advanced manufacturing

Pilot recycling of permanent magnets is scheduled to begin next year at the Zhezkazganredmet and Ulbinsky Metallurgical Plant, in cooperation with European partners.

As The Times of Central Asia recently reported, new geological surveys have revealed that Kazakhstan’s rare earth reserves exceed previous estimates, further strengthening its position as a potential global supplier.

Behind the Scenes in Hollywood: Kyrgyz Screenwriter Guljan Toktogul on the Industry Without the Glamour

Screenwriter Guljan Toktogul spent nearly a decade in Hollywood. She wrote the script for the movie Salam, New York, about a Kyrgyz man adapting to life in America, and also has writing credits for the short films I’ll Be A Star and Alexandra. A graduate of the American Film Institute (AFI), she now plans to continue her screenwriting career in her native Kyrgyzstan, having recently returned to Bishkek.

The Times of Central Asia spoke with Toktogul about how screenwriters sell scripts in the U.S., how much they earn, what the bidding process entails, and whether it’s all worth it.

TCA: What was it like living in Hollywood? Did it ever feel like home?

Toktogul: It became comfortable, but not immediately, only after I built some connections. I first arrived in the U.S. in 2016 with my brother, who was there for work. We lived in Washington, D.C. for two years. When he left, I suddenly felt anxious. The thought of being alone so far from family, literally a day’s flight away, was overwhelming. I cried. But when I moved to L.A., completed a semester, and made friends, things improved quickly. I was lucky to be studying screenwriting at film school.

TCA: Did the school feel like a second family?

Toktogul: Exactly. Writing and working together means sharing deeply personal memories and thoughts, so people bond much faster than in everyday life. The school created a very supportive environment, full of people just as obsessed with film as I was. You live and breathe cinema, nothing else seems to matter.

TCA: How are screenwriters treated in the U.S. compared to Central Asia?

Toktogul: In the U.S., screenwriters are respected, but still often in the background. Producers and directors are the main creative forces. That’s why many screenwriters eventually try directing, to retain more control. You hand over your script, but what happens next is out of your hands. We don’t just write randomly, there’s meaning in every scene. When a script is mishandled on set, it’s painful. Many screenwriters avoid being on set for that reason.

TCA: Are screenwriters usually present during filming?

Toktogul: Yes, and rightly so. Unexpected problems always arise, maybe an actor drops out or a location falls through, so changes must be made on the spot. This is especially true for low-budget projects. I once worked on an indie film in Chicago and realized just how crucial a screenwriter’s presence can be.

TCA: But aren’t things in the U.S. locked down by contracts before filming begins?

Toktogul: Only if you’re someone like Aaron Sorkin. He insists on filming scripts exactly as written. He’s known for demanding that actors deliver 10 pages of dialogue in nine minutes with no cuts. And it works, his dialogue has a musical quality. But most writers aren’t in that position. Ideally, scripts would be treated with more care. We’re not trying to take over, we just want the best version of the story to be told.

TCA: Were you a member of the Writers Guild of America (WGA)?

Toktogul: I was, briefly. Before the strikes and restructuring, graduates of top film schools could apply for associate membership. It wasn’t full membership, but it lasted three years and offered perks, meetings with top writers like James Cameron, free screenings during awards season, and discounted tickets to premieres. If you proved yourself, you could apply for full membership.

TCA: What are the costs and benefits of membership?

Toktogul: It costs about $3,000 annually. The biggest benefit is top-tier health insurance, priceless given how expensive healthcare is in the U.S. But you can’t just pay your way in. You need to earn a certain number of credits, 24 for working in a writers’ room, more for selling scripts. The Guild also keeps a blacklist of production companies.

WGA membership offers both protection and limitations. You can’t work for less than the minimum rate or with non-American studios unless they have Guild-approved contracts. Some members remain unemployed because they’re restricted from working on web series, animation, or independent projects unless they meet WGA rules.

TCA: Does the Guild protect against plagiarism?

Toktogul: Not really. You can register your script, but if it’s stolen, the Guild only verifies the registration date. You’d still need to sue independently. Most people use the U.S. Copyright Office, which only confirms authorship, it doesn’t offer real protection.

TCA: So there’s no foolproof way to protect your work?

Toktogul: Unfortunately, no. The best defense is to write personal stories, they’re harder to steal and easier to defend. That’s also why studios don’t accept unsolicited scripts. Everything goes through agents to avoid legal issues. Still, studios often find it cheaper to buy an idea than face a lawsuit. For instance, HBO bought the rights to Svetlana Alexievich’s Voices from Chernobyl to avoid any potential plagiarism claims, even though Chernobyl creator Craig Mazin was only loosely inspired by it.

TCA: How much does a Hollywood screenplay cost?

Toktogul: It varies. For Writers Guild members, the starting rate is around $100,000, and it can go up to several million depending on experience and reputation.

TCA: Robert Rodriguez wrote that studios fought over his script when he arrived in Hollywood. How does that work?

Toktogul: That’s the agent system. If your script is strong, the agent sends it to multiple studios, which can trigger a bidding war. These days, agents often shape the project from the start, matching ideas to studio demands. Once a deal is made, the agent takes a percentage.

TCA: What’s the biggest amount you’ve heard a newcomer earn?

Toktogul: I don’t remember the project, but the number stuck $7 million. After taxes, agent fees, and legal costs, the writer kept around $3 million.

TCA: Would you return to Hollywood?

Toktogul: Definitely but on my own terms. Hollywood is unlike any other place. It has the highest concentration of people just like you, driven by the same passion for film, eager to support your success. Because if you make it, they believe they might too.

Uzbekistan to Transition to 12-Year School System

Uzbekistan is preparing to transition to a 12-year general education system, Deputy Minister of Preschool and School Education Sardor Radjabov announced in an interview with Uzbekistan-24. The change will incorporate preparatory classes into formal education, extending schooling from the current 11 years to 12.

The revised structure will include three stages:

  • One year of school preparation
  • Four years of primary education (grades 1-4)
  • Five years of general secondary education (grades 5-9)
  • Two years of full secondary education (grades 10-11), which may be completed at general schools, academic lyceums, military schools, or technical colleges

According to Radjabov, the reform aims to enhance educational quality and eliminate obstacles faced by Uzbek students applying to foreign universities. Currently, graduates are often required to complete a one-year foundation program abroad before qualifying for undergraduate studies.

“This means our children lose a year,” he said. “If we implement the 12-year education system, students will no longer need to study foundation courses in several countries and will be able to enter undergraduate programs directly.”

He added that aligning Uzbekistan’s education system with international standards would expand opportunities for graduates and narrow the gap between local and global academic systems.

The reform builds on earlier changes to Uzbekistan’s school structure. In 2017, President Shavkat Mirziyoyev proposed the reinstatement of an 11-year general education framework, emphasizing its role in improving the connection between schools and colleges. Since then, most schools have operated under the 11-year model.